Iz and I have many just-us outings there. We have attempted joint copies of Monet’s Rouen Cathedral and Japanese Footbridge paintings with markers on sketchbook paper. We go underground to the café, walk along the moving walkway through the light tunnel, then sit at a table near the fountain for a snack.
When there, I think of my mother, and I enjoy being Iz’s mother.
Yesterday, Iz’s kindergarten class had a field trip to the National Gallery. His teachers asked for parent volunteers; I couldn’t say no to that trip. The plan: to see the French Painting of the 19th Century exhibit. My mother's on-and-off favorite painting, Woman with Parasol, which pictures a mother and child, is included. Iz grabs my hand the moment he gets off the bus, sometimes pulling me, sometimes melting into me. He doesn’t let go. I feel as if he is barely paying attention – focused only on me.
The class of twenty sits on the carpet, looking up at the woman with her parasol and her child on a windy day; I, of course, think of my mother and am melancholy (in that oddly satisfying way); and Iz insists in sitting in my lap, his face turned to me, his eyes closed.
Mother and child motif repeated in a moment.
